Xanti Schawinsky
Euclidian, 1943
Graphite on paper. 31.5 x 23 inches
at The Drawing Center Sept 19- Dec 14, 2014

Xanti Schawinsky

Euclidian, 1943

Graphite on paper. 31.5 x 23 inches

at The Drawing Center Sept 19- Dec 14, 2014

Barbara Kasten 
Photogenic Painting, Untitled 74/1 1974
Cyanotype 22x30in

Barbara Kasten

Photogenic Painting, Untitled 74/1 1974

Cyanotype 22x30in

Barbara Kasten
Architectural Site 5, 1986
40x30 cibachrome

Barbara Kasten

Architectural Site 5, 1986

40x30 cibachrome

Public Speaking 

Fran Lebowitz

I watched this movie last night. Highly recommended!

No Humbugging

"Painting is special, separate, a matter of meditation and contemplation, for me, no physical action or social sport. As much consciousness as possible. Clarity, completeness, quintessence, quiet. No noise, no schmutz, no schmerz, no fauve schwärmerei. Perfection, passiveness, consonance, consummateness. No palpitations, no gesticulation, no grotesquerie. Spirituality, serenity, absoluteness, coherence. No automatism, no accident, no anxiety, no catharsis, no chance. Detachment, disinterestedness, thoughtfulness, transcendence. No humbugging, no button-holing, no exploitation, no mixing things up."

—-Ad Reinhardt, statement for the catalog of the exhibition, “The New Decade: 35 American Painter and Sculptors,” Whitney Museum of American Art, New York, 1955.” As found in Visual Explanations.

jonathanacowan:

Halo In Flames
Solvent transfer and cotton thread on canvas
9”x10”
2014

jonathanacowan:

Halo In Flames

Solvent transfer and cotton thread on canvas

9”x10”

2014

Jen Stark 
Counter Cosmo, 2011
hand-cut paper, wood
30” x 30” x 5”

Jen Stark

Counter Cosmo, 2011

hand-cut paper, wood

30” x 30” x 5”

Samantha Bittman

Untitled (diamonds), 2011
Acrylic on handwoven textile
19” x 15”

Samantha Bittman

Untitled (diamonds), 2011
Acrylic on handwoven textile
19” x 15”
gmocarrion:

'encants vells' flea market oil on board  2014 guillermo carrion

gmocarrion:

'encants vells' flea market
oil on board
2014
guillermo carrion

Julia Kunin
Green Rock Twist,  2014
ceramic 19 x 12 x 11 inches

Julia Kunin

Green Rock Twist,  2014

ceramic 19 x 12 x 11 inches

revisiting this song in a live version - again and again!

David Scanavino
Scarecrow, 2014.  
Archival paper on panel. 84 x 84 inches.
At Derek Eller until June 28th, 2014.
OOOOOOOOOh pulpy! Those great bits not mixed together, and fingerprints smushing over the surface. So good.

David Scanavino

Scarecrow, 2014.  

Archival paper on panel. 84 x 84 inches.

At Derek Eller until June 28th, 2014.

OOOOOOOOOh pulpy! Those great bits not mixed together, and fingerprints smushing over the surface. So good.

Chista
Dune Coffee Table
48”L x 23”W x 20”H
Solid Teak
I should be packing the apartment right now but instead I’m looking at pictures of wood. Thinking about that mushroom foam and wondering if I could grow a table. It would be quicker to grow and lighter than this one! But I’d have to glass it. 
I doubt the texture could compare to this though! How fun would it be to stare at that grain all day and think about Dune?

Chista

Dune Coffee Table

48”L x 23”W x 20”H

Solid Teak


I should be packing the apartment right now but instead I’m looking at pictures of wood. Thinking about that mushroom foam and wondering if I could grow a table. It would be quicker to grow and lighter than this one! But I’d have to glass it.

I doubt the texture could compare to this though! How fun would it be to stare at that grain all day and think about Dune?

Sean Greene 
Warm House, 2014
 matte acrylic on canvas, 30 x 36 in.
at Brian Morris Gallery until July 19th, 2014.
Good & Plenty ghost face just moved in so he’s trying to decide what colors to paint the living room. It’s early spring and the rolling clouds overhead threaten with rain, but occasionally bits of blue peek through. He goes out on the lawn and then takes a walk around back, admiring the craftsmanship of his his new place, a bit ramshackle now after so many years of use, but clearly well-loved. What is that weird orange shit seeping out from under the fence? Confused, he reaches a long black arm behind him to scratch the side of his head.

Sean Greene

Warm House, 2014

matte acrylic on canvas, 30 x 36 in.

at Brian Morris Gallery until July 19th, 2014.

Good & Plenty ghost face just moved in so he’s trying to decide what colors to paint the living room. It’s early spring and the rolling clouds overhead threaten with rain, but occasionally bits of blue peek through. He goes out on the lawn and then takes a walk around back, admiring the craftsmanship of his his new place, a bit ramshackle now after so many years of use, but clearly well-loved. What is that weird orange shit seeping out from under the fence? Confused, he reaches a long black arm behind him to scratch the side of his head.

Rainbow Rocks
Milos Island, Greece
May 2014

Rainbow Rocks

Milos Island, Greece

May 2014